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The Sailor’s Creed at the Ecclesiastical History Conference, 15-17 July 2025

It was exciting to present new research on the religious beliefs and practices of British sailors to the Ecclesiastical History Society conference, held in Edinburgh this week from 15-17 July 2025.

The theme for this year’s EHS conference was Creeds, Councils and Canons in recognition of the 1700th anniversary of the Council of Nicaea, held in 325 AD. Presenters chose to address the theme across the full span of Christian history, and was vigorously debated by historians of the early Christian world, and all later periods up to the present.

For my paper, I wanted to tackle one of the more challenging issues facing the Mariners project team – namely, what did sailors believe about religion? We know quite a bit about what other people, including missionaries, shipping companies and the state wanted them to believe, and the various ways they sought to improve their living and working conditions and moral standing, but what the sailors felt about these interventions is a much harder nut to crack.

My research looked at the image of ‘Jack Tar’ as a careless and largely irreligious simpleton, with far too much interest in drink, sex and violence. Writers of popular songs and caricatures, such as Dibdin and Rowlandson, wrote stongs with titles such as ‘The Sailor’s Prayer’ and ‘The Sailor’s Creed’ which assumed sailors had no religion or moral scruples other than looking out for their shipmates and hoping for a good captain, a rich prize, and fair weather.

Yet missions to seamen sought to elevate the poor sailor, provide them with greater dignity and self-worth, and abandon their wanton ways. In their attempts to reach this body of men, marine missionary societies adopted a flexible strategy which minimised doctrinal differences, and promoted a simple message couched in salty language.

There were some variations. The Anglican agencies such as the Missions to seamen generally stressed that they were providing a national service regardless of other divisions. Dissenters who supported the Non-denominational movement, such as the British and Foreign Bible Society, followed the model of the London Missionary Society, affirming that they promoted a pure Christianity without concern for class or creed. This was illustrated by missionary promotional images, such as the BFBS ‘Gospel Ship’.

Having presented my paper in the first session of the conference, this left me free to enjoy other speakers. EHS President Sara Parvis provided the essential grounding for the conference theme with a rich account of the canons of the Nicene Creed and their reception. Other highlights for me was the paper by Gemma King on teaching the Church of Scotalnd’s Shorter Catechism in religious fiction; Angela Berlis on the Old Catholics resistance to the First Vatican Council, and Ivan Broisson on the great Etienne Gilson and his influence on the Second Vatican Council.

I followed several panels on missionary and ecumenical gatherings in Africa and India. Brian Stanley outlined the challenges of the attempt to integrate the International Missionary Council and the World Council of Churches at the Ghana Assembly of the IMC in 1957-8. the My fellow Australian, Nicole Starling, was enlightening on the conflict between deaconesses and high church sisterhoods in the diocese of Sydney. I was privileged to chair two fine papers on African missions by Alison Zilversmit on the Southern Rhodesia Missionary Conference, and Deborah Gaitskell on Ecumenism in 1940s South Africa.

The weather was gloriously warm for Edinburgh; the company and the conversations rich and enjoyable. There was a warm reception to my new work on sailors’ religious mentality and it was profitable to be able to present with so many other scholars working at the cutting edge of religious history today.

Mariners Exhibition moves to Liverpool

The Mariner’s exhibition is now on display in Liverpool Record Office (3rd Floor Central Library, William Brown Street, L3 8EW). It is displayed on smaller panels to fit the space. It will be there until early Autumn.
Lucy Wray will circulate the closing date when the curator confirms this.
The larger display will remain in St Stephen’s Church ( 21 St Stephen’s Street, Bristol, BS1 1EQ) until next Monday 21st July.

Mariners at the Black Country Museum

I have just got back from a trip to the Black Country Living Museum in Dudley for the 2025 Social History Society annual conference.

Victorian streetscene, Black Country Living History Museum

It was my first visit to the living history museum, and found it very hard to tear myself away from the recreated worlds of the Victorian, Edwardian and – most recently – post-WWII eras to get back to the conference. I wandered in and out of the cottages showcasing the work of women chain makers, the noisescape of the machine press, and the canal with its retinue of coal barges and attendant ducks. There was a strong evocation of the industrial scene (though of course without the squalor, smoke and smells) and I was particularly impressed with the abandoned anchor, a remnant of the anchor makers who used to work in this area. In its own building was a recreation of the mighty Newcomen engine which, having once lived in a street (in Newcastle NSW) named after the great engineer, I found particularly impressive.

Anchor making was one of the Black Country industries on display in Dudley.

The conference was a packed schedule with up to five parallel streams around these broad themes, each curated by experts in their field.

  • Bodies, Sex and Emotions
  • ‘Deviance’, Inclusion and Exclusion
  • Difference, Minoritization and ‘Othering’
  • Heritage, Environment, Spaces & Places
  • Inequalities, Activism and Social Justice
  • Life Cycles, Families and Communities
  • Politics, Policy and Citizenship
  • Work, Leisure and Consumption

I enjoyed catching up with Emily Cuming, who gave a splendid paper on ‘sailor’s daughters’ which analyzed working class women’s memoirs of absent, and sometimes abusive, sailor fathers. Other highlights were presentations by four curators from different ‘living history’ museums: Simon Briercliffe, director of the Black Country Museum, Kate Hill, from the Cregneash Isle of Man Folk Museum , Natasha Anson, on the Beamish North East England museum, and educationish Megan Schlanker on the use of living history in schools. While we spoke, the Dudley museum was full of teams of school children so it was clear new learning memories were being laid down in these places. The curators pushed back robustly on calls to avoid nostalgia, or to answer calls to highlight or ignore particular aspects of the past. I was also very happy to listen to papers by Bristol colleagues, Marianna Dudley (on the history of wind turbines), and Will Pooley (on queer magic in 19th century rural France).

Kate Hill from the Isle of Wight Living Museum discussing the challenge of representing the past.

As part of the ‘inequalities, activism and social justice’ theme, my paper was in the last session of the last day, and I was grateful to those who stayed the course. It was a privilege to talk about the Mariners project to this engaged and active group of researchers. My topic was ‘Missions to Mariners’, and I spoke about the challenge for reformers of pushing back against the old stereotype of ‘Jack Tar’ in order to promote the value of the pious sailor. There is a wealth of printed and archival sources relating to the movement, much of which we have been exploring for this project, but it is much more difficult to understand the values of working sailors themselves. This is part of my conclusion:

The maritime mission movement would leave a visible mark on British port landscapes, with its floating chapels, on shore seamen’s churches, institutes and bethels, and provision for education, housing and other forms of welfare. Although very little of this religious infrastructure remains, it initiated a revolution in the image of the sailor, from ‘Jack Tar’ to sober worker, which by the end of the century had largely displaced the drunken caricature of an earlier era.

My paper will be included in the Special Issue of the Social History Society journal, Cultural and Social History. The revised papers from the Mariners conference held on the ss Great Britain are now coming in and we hope the whole collection will soon be available, online and fully open access.

Mariner’s Exhibition sets sail in Hull History Centre.

On May 12th, project research administrator Abi Freeman and I made the journey from Bristol to Hull to install the Mariners Exhibition in its second location.  

The exhibition is the final flagship event for the Mariners project. It will be displayed in three ports at the heart of our research: Bristol, Hull and Liverpool. 

After our successful launch event in the Mount Without, Bristol on 7th May, we were excited to set up in our new location, Hull History Centre. Hull History Centre, located in the aptly named ‘Worship Street’, is an official project partner. The centre is a partnership between Hull City Council and the University of Hull, and amongst its impressive collections is a range of material relating to maritime history as well as religious organisations including the Mission to Seafarers. Hull History Centre archivist Claire Weatherall has been an invaluable part of the Mariners Project Advisory Board, and integral to organising this phase of the exhibition. 

The exhibition is displayed in the generous and well-lit space of the centre’s glass arcade. Hull was experiencing unusually warm weather, and the arcade felt like a green house, with temperatures reading mid-30s as Abi and I unpacked and set up the exhibition panels. While the installation wasn’t easy work, it was all worth it when we saw the exhibition in the new space. The arcade is the first room visitors enter when they arrive at Hull History Centre, and we know that the exhibition will witness lots of footfall, providing opportunity for a range of guests to see it, in a large and accessible space.  

Unpacking boxes and setting up exhibition at Hull History Centre

The next day the Hull launch event took place.  I delivered a talk providing an overview of the exhibition, describing the research and the work of our three commissioned artists. 

In addition to work by three commissioned artists and panels on themes including gender and family, religion, race and ethnicity and the nature of seafaring, this iteration of the exhibition also contains a panel on Hull, providing an overview of the development of the port. It featured a fascinating biography of ‘The Seafaring Surgeon: Dr Hirjee Nowroji Anklesaria’ who worked to save men on Hull’s Gamecock fishing fleet when it was fired on by Russian warships in 1904.   This was kindly provided by Claire from her knowledge of local archival sources. Claire also provided a range of archival items, including lantern slides, which were displayed in an exhibition case relating to ‘Uncovering seafarers’ lives in the photographs of the Mission to Seafarers’.  

 

Lucy Wray delivering talk at Mariners Exhibition Launch at Hull History Centre

The exhibition will be in in Hull until the 26th of June, before its return to Bristol, where it will be displayed in St Stephen’s Church in July.  From June to July, a smaller version of the exhibition will also be displayed in Liverpool Record Office. 

I would like to thank Abi Freeman for all her hard work in the installation in Bristol and Hull, and Claire Weatherall, who has been so generous with her time and expertise.  

 

Mariners Exhibition on display at Hull History Centre
An early visitor viewing Mariners Exhibition on display at Hull History Centre

Mariners Exhibition Launch 7 May 2025

There was high excitement in Bristol’s Mount Without as curator, Lucy Wray, led the launch of the Mariners exhibition: Race, Religion and Empire in British Ports.

Lucy Wray

The exhibition is the final, flagship event for the Mariners project and will be touring to Hull and Liverpool before returning to Bristol for a week in time for the Bristol Harbour festival, 18-20 July.

As Lucy explained, the exhbition includes a series of panels that highlight the major themes of the project – Race, Religion, Ports, and Gender – with biographies of key figures in the 19th century marine mission movement.

The exhibition features the work of three artists commissioned to interpret the themes of the project in their own individual ways. At the exhibition launch, the artists provided guests with some words of explanation about their own background, and how their artwork reflected on the historical themes of the project. As this was the first time any of them had seen the scale of the panels which featured their work, it was exciting to see their reactions to full-scale of the displays.

Exhibition Launch: Mariners: Race, Religion and Empire in British Ports

In her piece, award-winning artist Charlotte Jones incorporated elements of her family history. As she explained to us in her original brief: ‘I have a personal connection to this fantastic project as both sides of my family worked in the Liverpool docks at the later end of this era. One great grandfather was a cooper, and one grandfather was in the Merchant Navy.’ For the exhibition, Charlotte created a series of illustrations inspired by photographs of working lascars and merchant seamen that focus on community, race and empire. This has been realised in a series of stylised images in sepia colours evoking both nostalgia and empathy for their hard-working lives.

The study by Kremena Dimitrova incorporated her signature story-book sequences, using archival images and text, to visually narrate the experiences of merchant seamen of all nationalities.

In his contribution, Will Lindley focussed on maritime buildings and institutions, including floating chapels, missions, Sailors’ homes and orphanages, from across the project’s four case study ports. Many of these no longer exist. Reading from west to east, these were Bristol, Liverpool, Hull and London. Will’s illustrations were blown out in some cases to show the internal features of the buildings. In front of the Liverpool Seamen’s Orphan Institution, Will sketched the ghostly and poignant images of seamen’s orphans attending a church service. In his brief, Will explained: ‘My work is rooted in drawing and emerges from historical and contemporary explorations and research… drawing on training and experience in architecture, regeneration, heritage and engagement.’

The launch was a great opportunity for colleagues, students, artists and members of the Advisory Board, including Professor Brad Beaven from Portsmouth, and community historan, Asif Shakoor, to join us in appreciating these artists’ vision for our project.

In case you were wondering how we chose our three artists. The framework was laid out in the Mariners grant proposal, as funded by the Arts and Humanities Research Council. We knew that we wanted to engage professional artists, with a portfolio of work, and that the budget allowed us to offer to pay for ten days’ work in line with the rates recommended by the UK Artists’ Union.  The initial brief was reviewed by the project team in March 2024. We put out a call for artists as widely as possible, including the Arts Council’s Arts Jobs UK and the Mariners website, and chose those which aligned best.

Thanks to all – but especially to Lucy Wray whose imagination and enthusiasm brought the exhibition together. Look out for the progress of the exhibition as it moves to Hull, Liverpool and back to Bristol over the next few months.

The exhibition will be travelling to the following sites – with some adjustment depending on local circumstances:

Hull: 13th May- 26th June

Venue address: Hull History Centre, Worship St, Hull HU2 8BG 

Liverpool: End of May to end of July.

Venue address: Liverpool Record Office, 3rd Floor Central Library, William Brown Street, L3 8EW

Bristol: 7th July- 20th July 

Venue address:  St Stephen’s Church, 21 St Stephen’s St, Bristol BS1 1EQ 

 

 

You’re invited: Mariners exhibition launch, 7 May 2025

The Mariners exhibition, curated by Lucy Wray and featuring work by commissioned artists, will open in May in Bristol before touring to Liverpool and Hull later in the year.
You are warmly invited to the launch of the Mariners: Race, Religion and Empire in British Ports 1801-1914 project exhibition.
When: Wednesday 7th May, 14:00 – 15:30
This UK Arts and Humanities Research Council funded project (AH/W009803/1), explores the histories of missions to sailors in British ports. It examines the experiences of both British sailors and ‘Lascars’, a term used for largely South Asian seafarers who became an increasingly significant labour force within the merchant marine.
This travelling exhibition will be displayed in Liverpool, Hull and Bristol in 2025.
It features project research and commissioned artwork from Kremena Dimitrova, Charlotte Jones, and William Lindley.
There will be light refreshments served, and the bar will be open for guests to purchase drinks.
Please RSVP via our Eventbrite page here.
Best wishes,

Royal Docks: Unearthing Invisible Seafaring Histories of Empire

By Asif Shakoor

The following post is written by Asif Shakoor, an Independent Scholar and authority on lascar heritage who is a member of our advisory board. The following is an extract from the presentation he gave at our project conference at the SS Great Britain in September 2024:

The term ‘Lascar’ was historically used to describe Black, Asian, and ethnic minority seafarers who served on British ships sailing from India in the 1600s. The original word, however, is Lashkar, not Lascar. The English diplomat Sir Thomas Roe first introduced the word lashkar into the English language in 1616. Later, in 1625, Sir Thomas Roe introduced the corrupted form lascar. This term is a misapplication and distortion of the Persian lashkar.i  

Many senior English officials in India had already been using lashkar before Sir Thomas Roe introduced the corrupted version lascar in 1625. For instance, William Biddulph used the word lashkar in 1621, while Robert Hughes and John Parker did so in 1622.  Maritime scholar, Dr Gopalan Balachandran, equated the term lascar with coolie, thereby rendering it a derogatory term.ii The etymology of lashkar traces it from Urdu لشکر, which originates from the Persian word لشکر, meaning ‘army’ in both languages. Further, it can be traced back to the Arabic word عسكر al-‘askir, also meaning ‘army’.

I don’t think my grandmother would have referred to my grandfather, Mahomed Gama, as a lascar. She would likely have asked, ‘So what is that then? What does that mean? What is a lascar?”. My grandfather was a South Asian seafarer لشکر, and I never refer to him as a lascar. Such a term does not exist in Urdu or Persian linguistic dictionaries from the past century.

The “Lascar Depot” in West Ham 

Around 1814 the East India Company established a hostel, called a depot, for seafarers from the Indian sub-continent who came to London on the Company’s ships. The depot was located in the parish of West Ham, and overseen by a ‘superintendent of lascars’, a London merchant named Abraham Gole. There may have been a second hostel in Shadwell, accommodating seafarers from both the sub-continent and China.

The East India Company claimed to have a moral obligation to look after these seafarers. They stated that they ‘felt it to be their duty, to use every means their power to preserve from injury those natives of India who were employed in navigating the ships’ that they owned, as well as those of other ship-owners. The Company claimed that the depot provided the seafarers ‘with every necessary comfort’.iii

Abraham Gole provided board and lodging, ‘including tobacco’ and conveyed the seamen to and from the docks, charging the East India Company a daily rate. In 1816 he reduced the charges, possibly because he feared that the hostel in West Ham would be closed after a petition against it was submitted by local residents. Drawn up by the vicar of West Ham, the Reverend C. Jones, and signed by more than 100 local people, the petition claimed that the hostel had ‘become a great nuisance’ to them and their families, though why was not clear. However, it seems that the petition was successful, because in 1818 the minutes of the government’s board of commissioners for India noted that the ‘depot’ appeared to have closed.

‘Le Gestenhall’ – A Guesthouse for ‘Lascars’ in West Ham in the 1840s 

A guesthouse for South Asian ‘lascar’ seamen once stood on the banks of the Channelsea River, a small tributary of the River Lea. The building, originally part of the Stratford Langthorne Abbey grounds, was recorded as ‘Le Gestenhall’ and was reportedly used to house ‘lascars’ in the 1840s. Today, a modern office block, likely Channelsea House on Canning Road (E15), occupies the site. This building is visible when travelling westbound on the District Line from West Ham Underground station and is situated adjacent to Masjid-e-Ilyas, a mosque (or Muslim place of worship).

‘Lascar’ Deaths and Burials in West Ham Cemetery 

With the opening of the Victoria Dock in 1855, ‘Lascar’ seafarers began arriving at the port. As ‘lascar’ seamen arrived in England, many fell victim to tropical and sea-borne diseases, while others died in London from unexplained causes. Seafarers also frequently suffered from sexually transmitted infections and pneumonia, which were also rife among seafarers. Many seamen died shortly after embarking on their voyages.

Dozens of Muslim seafarers were subsequently buried in West Ham Cemetery, which officially opened in 1857. Among these burials was Abdul Rahman, who died at the Seamen’s Hospital and was laid to rest in West Ham Cemetery on 17th September 1901. The burials of ‘lascar’ seafarers were in unconsecrated, unmarked public graves.

Many ships, such as the Belle of the Sea under the command of Captain Lewis, docked at the Victoria Dock in 1858, bringing cargo and ‘lascar’ crew from Calcutta, British India. The Belle of the Sea was the first vessel from Calcutta to dock at the Royal Victoria Dock, arriving on 5th July 1858.  

‘Lascars’ 

The Graphic, from 6th August 1892, reported on 2,000 ‘lascar’ seafarers professing ‘the creed of Mahomet’ and observing ʿĀshūrāʾعاشوراء, the commemoration of Imam Husayn’s martyrdom. They gathered at the renamed Royal Victoria Dock for a ten-day period in the first week of August. The article incorrectly remarked about ‘the murder of Hasan and Hussein’. The commemoration of ʿĀshūrāʾعاشوراء marks the martyrdom of Imam Husayn and not Imam Hasan. The article described in great depth the events of the procession, including a rather bizarre occurrence of the ‘lascars’ pausing “to make their salaams at the offices of the two companies”—those being the offices of the Peninsular and Oriental Steam Navigation Company (P&O) and the British India Steam Navigation Company, both of which retained offices at the Royal Docks. The term ‘salaam’, Arabic for ‘peace’ السلام, here implies a greeting.

The Illustrated London News, dated 9th April 1904, carried an article titled, ‘Hobson Jobson: A Curious Hindoo Celebration at Easter in the East End’. This event was, in fact, a Muslim commemoration of ʿĀshūrāʾ at the Royal Albert Dock, not a ‘Hindoo Celebration’. The phrase ‘Hobson Jobson’ refers to the names Hasan and Husayn, the grandsons of Prophet Muhammad, and evolved as a linguistic corruption of the call Ya Hasan, Ya Husayn یاحسن ياحسين ‘ This phrase gradually morphed through variations—’Hosseen Gosseen,’ ‘Hossy Gossy,’ ‘Hossen Jossen,’ and ‘Jackson Backson’—eventually becoming ‘Hobson-Jobson’.iv The phrase became so commonly used that Colonel Henry Yule and Dr. A.C. Burnell adopted it as the title for their 1886 dictionary, Hobson-Jobson: A Glossary of Colloquial Anglo-Indian Words and Phrases. The article described the ’lascars’ as ‘grotesquely dressed’ and carrying a ‘flimsy temple made of cardboard and paper’. It further suggested that the ‘temple’ was believed to contain the ‘devil’. However, this was an incorrect reference, as it was not a temple. In fact, it was known as Al-Ta’ziyyah تعزية, an Arabic term implying condolence or comfort, and a symbolic expression of grief made to represent the mausoleum of Imam Husayn (the grandson of Prophet Muhammad). Moreover, it is not associated with containing the devil.

An earlier edition of The Graphic, from 27th November 1873, featured a sketch of ‘lascar’ seafarers described as ‘Praying at Sunset.’ In this depiction, Muslim ‘lascars’ are shown in the Tashahhud تَشَهُّد posture meaning “testimony of faith”, also known as at-Tahiyyat ٱلتَّحِيَّات, performing the al-Maġrib prayer ṣalāt al-maġrib المغرب صلاة. Another ‘lascar’ is portrayed making supplication, or Dua دعاء, on the forecastle of the Sumatra, a vessel of the P&O.

Mahomed Gama (1895–1965) 

Mahomed Gama was born in 1895 in Jhang, Old Mirpur, in the erstwhile princely state of Jammu & Kashmir. He enlisted in the Mercantile Marine in 1913, beginning his service aboard the SS Mooltan.

During the First World War, Mahomed Gama also served on the SS Medina, transporting cargo and passengers. The ship called at the ports of London and New Sydney, Australia, in February 1916, eventually arriving in Bombay (now Mumbai) on 20th November 1916.

Notably, prior to Mahomed Gama’s service, the SS Medina had conveyed King George V to British India for his Delhi Durbar Coronation in 1911. On 11th November 1911, King George and Queen Mary departed from Portsmouth aboard RMS Medina and arrived in Bombay on 2nd December 1911. The durbar took place on 12th December 1911.

Mahomed Gama arrived onboard the SS Khiva at the Royal Victoria Dock, London, in December 1917. He remained there for a month, until the first week of January 1918, while the SS Khiva was refitted for its onward journey, transporting American troops from New York to the British ports of London, Plymouth, and Liverpool.

After the war ended, Mahomed Gama was awarded two medals in recognition of his service: the British War Medal and the Mercantile Marine War Medal. He passed away in August 1965 in Jhang, Old Mirpur, while visiting Pakistan. His burial site is now submerged beneath the waters of the Mangla Reservoir. His descendants continue to reside in both the United Kingdom and Pakistan.

Amir Haidar Khan (1900–1989) 

Dada Amir Haidar Khan (anglicised in the crew records as Ameer Hyder Atta Mahomed) served aboard the SS Khiva alongside Mahomed Gama. In his memoir, Chains to Lose: Life and Struggles of a Revolutionary, he vividly describes life during the First World War at the Royal Victoria Dock.v He recounts how London’s streets were ‘kept dark’, with little visible beyond the ‘cross-beams of powerful searchlights’ that scanned the skies over the city. He wrote, ‘Thus London, the cornerstone of the British Empire, was a rather gloomy place to live during the winter of 1917–1918.’

Reflecting on his impressions of London, he observed, ‘I had thought of all the white-skinned men who wore collars and suits as Sahibs, and all the women who wore skirts, blouses and awry hats as Memsahibs—the people of the ruling class as I knew them in India.’ In Urdu and Arabic, Sahib صاحب is a respectful title for a man, with Sahiba صاحبة as the equivalent for a woman, similar in function to the English use of ‘esquire’.

Amir Haidar Khan’s memoir is among the earliest recorded histories by a ‘lascar’ seafarer documenting experiences from the First World War.

The leading scholar on the South Asian presence in Britain, Dr Rozina Visram notes: ‘In 1919, at the end of the First World War, Indian seamen comprised 20 per cent of the British maritime labour force. Ten years later, the percentage stood at 23.5, rising to 26 per cent in 1938, a total of 50,000.’vi

Rohama Hassa (1895 -): The Oldest Surviving ‘Nolly’ or Continuous Discharge Certificate 

Continuous Discharge Certificates (CDCs) were introduced following the Merchant Shipping Act of 1854, which required a CDC to be signed by both the seafarer and the master of the vessel at the termination of each voyage. The earliest CDC first appeared in the early 1910s.

Rohama Hassa (anglicised as Rohama Hassa, though his original name was Rahima), was born in 1895 in the Punjab, British India, and is recorded on his Continuous Discharge Certificate as a ’Punjabi Mussuliman’. The phrase musalmān مسلمان is a Persian/Urdu term simply denoting his adherence to the Muslim faith. His CDC bears his fingerprint, as the majority of ‘lascars’ were unable to comprehend, read, or write in English, so a thumbprint sufficed in place of a signature.

Rohama Hassa’s CDC is the earliest known to survive in the United Kingdom, named to a South Asian ’lascar’ seafarer. It was issued in March 1914.

An analysis of Rohama Hassa’s CDC shows he served during the First World War on the SS Mongolia, SS Syria, SS Delta, and SS Kaiser-i-Hind, all vessels belonging to the P&O. Rules permitted a CDC to be valid for five years, renewable for up to five more years, provided the holder was a serving seaman and his CDC had not been cancelled, withdrawn, or suspended.  

According to crew lists and agreements, Rohama Hassa served on additional vessels of the P&O, namely the SS Moldavia and SS Narkunda. However, these vessels are not recorded on this CDC due to the reasons above. They would have been recorded on a separate CDC issued to him.

Acknowledgements

Mark Gorman, Local Historian, London Borough of Newham

Tom Chivers, Postgraduate Researcher, Queen Mary University of London, London

References

i Cited in the Oxford Concise Dictionary (Oxford University Press, 1st edition, 1911); and the Reader’s Digest Great Encyclopaedic Dictionary (Oxford University Press, 2nd edition, 1962).

ii Balachandran, Gopalan, 2012. Globalizing Labour: Indian seafarers and world shipping 1870-1945 (New Delhi. Oxford University Press)

iii London Courier and Evening Gazette, 25th January 1814

iv Bragg, Melvyn, 2016.  The Adventures of English: The Definitive Biography of Our Language (London: Hodder & Stoughton)

v Haidar Khan, Dada Amir,1989. Chains to Lose: Life and Struggles of a Revolutionary  (New Delhi: Patriot Publishers)

vi Visram, Rozina, 2002. Asians in Britain: 400 Years of History (London: Pluto Press), p. 225 

Smith and the New Sailor’s Magazine

Back to the BL

After a long time waiting for the British Library to recover from the cyber attack earlier this year, it was exciting to be back and able to order in advance. On 4 December, I arrived early and found my orders waiting for me. Thank you BL staff!

British Library

Smith and the New Sailor’s Magazine

This time my principal target was the original – and undigitised – copies of the G.C. (‘Boatswain’) Smith’s issues of the Soldier’s and New Sailor’s Magazine (NSM), which was published by Smith from his headquarters in and around Wellclose Square in London from 1828 and continued, though with many changes of name, until Smith’s death in 1863. I was intrigued because historians have differed over the significance of this journal and Smith’s place in the marine mission movement.

Smith launched the New Sailor’s Magazine as an act of defiance following his dismissal as editor of the Sailor’s Magazine and acrminomious split from the main dissenting mission for seamen in London, the Port of London Society and Bethel Union (PLSBUS).New Sailor's Magazine

According to Kverndal (1986: 271), Smith was entirely the injured party, and had every right to take his talents elsewhere. He argues that Smith had triumphantly created the Mariner’s Church and its numerous satellite welfare and mission work for sailors’ and their families, while all Smith’s dissenting and Church rivals floundered without support or effectiveness. But was it really the case? Is it correct, as Kverndall (1986: 274) states, that the PLSBUS was motivated by sheer jealousy of Smith’s ‘continuing success, coupled with their own diminishing support’?

In fact, this is rather less than the whole story, as I soon discovered by reading Smith’s New Sailor’s Magazine, which proudly proclaimed Smith as the ‘late editor of the Sailor’s Magazine’.

As with all of Smith’s publications, marketing and branding were key features with attempts to entice subscribers and supporters through calls to patriotism, religion and national pride. The first volume included three separate publications, The Soldier’s Magazine and Military Chronicle, aimed at soldiers,  The New Sailor’s Magazine and Naval Chronicle, for supporters of maritime missions, and a monthly brochure for the Sailor’s Asylum and New Brunswick Institution, the precursor to the London Sailors’ Home.

The Soldier’s Magazine was brashly patriotic and included an engraving of Smith’s most important patron, Admiral Lord James Gambier (1756-1833). The cover was embellished with a header including flags, cannon, helmets, a trumpet and drum to the left, with naval emblems of an anchor, sails and masts to the right. Beneath was the logo: ‘Fear God. Honor the King’. It would take a wise reader to realise that the main business of the magazine was not to serving members of the military, but rather former soldiers and sailors of the merchant service and their urban patrons.

The cover of the New Sailor’s Magazine is less showy, but there are indications that Smith’s resources were rather less than he claimed. Unsurprisingly, there are no stories from the PLS and Bethel Union, and Smith instead resorted to publishing the sermon delivered by the Rev. William Scorseby, Anglican chaplain to the Episcopal Society for Sailors at Liverpool. Scorseby would soon become celebrated in his own right, as an Arctic explorer, and patron of Anglican missions to seafarers, especially deep sea fishermen.

With the editorial licence of The New Sailor’s Magazine, Smith would  denigrate the efforts of the Episcopal floating chapel in Liverpool and London, and the successful efforts of Anglican Evangelicals to make a success of the London Sailor’s Home, but for now he was dependent on Church rather than Chapel sources to fill the pages of his new magazine.

BFSSFS debt

The first sign of serious problems for Smith and his enterprises appear with the financial report published in the June 1828 issue of the New Sailor’s Magazine following the annual Meeting of the British and Foreign Seamen’s & Soldier’s Friend Society, or Mariners’ Church & Watermen’s Bethel Union (BFSSFS). While each monthly issue  always included a gratifying and minutely detailed list of all donations, big and small, this was the first set of fully audited accounts, as signed by William Hodge, W.G. Barnard, and R. Ward. These showed that from 17 May 1827 to 15 May 1828, income received had reached almost £2000, but there was a heavy debt of almost £800 for printing, stationers and ‘agents’ salaries’, ie payments to those employed full-time to collect funds for the society. Smith could not afford his grand publications, or his vision for a charitable empire based on the Mariner’s Church, nor could he afford to alienate the wealthier patrons who had earlier flocked to the Port of London Society and its signature floating chapel.

FS Accounts 1827-28

The ‘agents’ salaries’ are a particularly worrying feature of the cash account. They show that about 25% of all donations had been expended in salaries to those responsible for raising funds. Moreover, ‘travelling expenses’ amounted to over £200 – more than a year’s salary for many clergy – much of which would have been incurred by Smith on his relentless promotional and lecture tours. This was not sustainable, and the reality was that Smith’s Mariner’s church enterprise, conducted in belligerent rivalry to that of like-minded dissenting and Anglican Evangelical supporters of the same cause, was a white elephant. Yet Smith continued to attract admirers and donations, which the following year, 1828-29, were reported by the Missionary Register as no less than £3462. Twelve months later, the same journal reported that the BFSSFS debt stood at £1500, inflating to £2500 in 1831 and to £3000 by 1832. (Adjusted for inflation, this is the equivalent of over £420,000 today). This was a colossal burden for any small, voluntary society, even today, but was an overwhelming and alarming liability in 1832. Smith’s solution was to exclude any mention of the debt from the New Sailor’s Magazine,  while continuing to solicit new donations and make a show of transparency by listing everyone who made a contribution.

These were heady days for the marine mission movement, with handsome donations and subscriptions recorded by the Missonary Register (1830: 517) for a range of maritime missionary causes, including £3393 for the venerable Naval and Military Bible Society, £597 for the Merchant Seaman’s Bible Society, and £1700 for the Sailors’ Home. Smith’s main dissenting rival, the Port of London Society received a modest £884, reflecting the competition for support especially in London, but was managing to survive and – importantly – remained solvent.

Smith’s legacy

I have scrutinised Smith’s legacy as the leading figure in the maritime mission movement for an article forthcoming in the Journal of Ecclesiastical History. Smith’s personality has divided critics, with those from within his own Baptist and dissenting tradition, including Kverndal (1986) and Dray (2013) keen to overlook his financial improprieties. I am more critical, not least because hundreds of people of very small means contributed to the cause, and were entitled to know that their donations were spent helping sailors, not chasing Smith’s grandiose and debt-laden ambitions.

It may not be possible to untangle the details at this distance in time, but there is a smoking gun, and a pattern of over enthusiastic promotion, unexplained or inadequately explained debt, and the reality that Smith would eventually be imprisoned four times for debt.

Sources

Dray, Stephen. 2013. A Right Old Confloption Down Penzance (Carn-Brea Media: n.p.).

Kverndal, Roald. 1986. Seamen’s missions: their origin and early growth (William Carey Library: Pasadena, Calif).

CMS. Missionary Register, 17-20 (1829-1832). Yale Mission Periodicals Online

NSM. Soldiers’ Chronicle and New Sailor’s Magazine, 1-2 (1828-29).

 

Mariners at Treefest

It is the season for – Christmas trees!.

St Mary Redcliffe from docks
St Mary Redcliffe from the Bristol city docks.

The Mariners team is excited to be planning a contribution to Treefest Bristol 2024

What is Treefest?

Treefest is a spectacular festive display of Christmas trees held within the splendid gothic church of St Mary Redcliffe.

Treefest is an opportunity for local people, schools, businesses, charities, community groups and other organisations to decorate a tree and display it  in the atmospheric gothic surrounds of St Mary Redcliffe. It’s a good opportunity to tell our 1000s of visitors about your organisation for free, while helping to raise money for local charities.

So far, our research administrator, Abi Freeman, has bought a tree and acquired bunting from our project partner, the Hull History Centre. We are having fun creating maritime-themed decorations, with a research cutting edge.

Look out for more upates on Treefest in coming weeks.